For the first time, really, since the tragic events in Kyiv and the apparent Russian occupation of Crimea, this weekend – encompassing Women’s Day and the 200th anniversary of Taras Shevchenko’s birth – there have been signs that the city is returning to some kind of normality. Albeit a normality over which the frightening shadow of war lurks.
These drummers are, as far as I have observed, the first sounds in the post-revolutionary city that do not resound with mourning or the pathos of the dirge-like readings of Shevchenko’s poetry. This approach to his works prevails, regardless of the content of his verse and regardless of the conditions in which his poetry is performed. While perhaps understandable in these times of tension and tragedy, I have only ever heard such an approach to his works while in Ukraine.

Looking at the hues on this video meanwhile, it seems that the evening sky of Ivano-Frankivsk together with the street lighting on the city’s main street, Independence Street, has managed to form the Ukrainian flag.

Sounds of the post-revolutionary city

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